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Salsa's roots are based on different Cuban genres such as Cuban Son, specifically to the beat of Son Montuno in the s. New modern salsa styles are associated and named to the original geographic areas that developed them.

Characteristics that may identify a style include: timing, basic steps, foot patterns, body rolls and movements, turns and figures, attitude, dance influences and the way that partners hold each other.

The afro-Latino style is a very popular kind of salsa originating from influences of Afro-Cuban dances. It pretty much involves the same dancing as most versions of the salsa but has a little bit of twist added to it. The thing that separates it and gives it its own identity is that some of the songs tie in an African language and certain African instruments that gives the songs different rhythms. Incorporating other dance styling techniques into salsa dancing has become very common, for both men and women: shimmies, leg work, arm work, body movement, spins, body isolations, shoulder shimmies, rolls, even hand styling, acrobatics and lifts.

Latin American styles originate from Puerto Rico , Cuba and surrounding Caribbean islands including the Dominican Republic , and then expanding to Venezuela , Colombia , and the rest of Latin America ; Also, there exists the "Miami" style, which is a fusion of some Cuban style elements with elements of various North American dances from the USA. In Cuba, a popular dance known as Casino was marketed as Cuban-style salsa or Salsa Cubana abroad to distinguish it from other salsa styles when the name was popularized in the s.

Casino is popular in many places around the world, including in Europe, Latin America, North America, and even in some countries in the Middle East such as Israel. Dancing Casino is an expression of popular social culture; Cubans consider casino as part of social and cultural activities centering on their popular music.

The name Casino is derived from the Spanish term for the dance halls, "Casinos Deportivos" where much social dancing was done among the better-off, white Cubans during the midth century and onward. Traditionally, Casino is danced "a contratiempo". This means that, distinct from subsequent forms of salsa, no step is taken on the first and fifth beats in each clave pattern and the fourth and eighth beat are emphasised.

In this way, rather than following a beat, the dancers themselves contribute in their movement, to the polyrythmic pattern of the music. At the same time, it is often danced "a tiempo", although both "on3" originally and "on1" nowadays. What gives the dance its life, however, is not its mechanical technique, but understanding and spontaneous use of the rich Afro-Cuban dance vocabulary within a "Casino" dance.

In the same way that a "sonero" lead singer in Son and salsa bands will "quote" other, older songs in their own, a "casino" dancer will frequently improvise references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage. This is particularly true of African descended Cubans. Cali is also known as the "Capital de la Salsa" Salsa's Capital ; due to salsa music being the main genre in parties, nightclubs and festivals in the 21st century.

The elements of Cali-Style Salsa were strongly influenced by dances to Caribbean rhythms which preceded salsa, such as Pachanga and Boogaloo. Cali has the most salsa schools and salsa teams in the world. Many of the competitions are held in Colombia. The central feature is the footwork which has quick rapid steps and skipping motions. Colombian style does not execute Cross-body Leads or the "Dile Que No" as seen in other styles, but rather step in place and displace in closed position.

Their footwork is intricate and precise, helping several Colombian Style dancers win major world championships. Developed by Cuban immigrants to Florida and centered on Miami, this dance style is a fusion of some elements from Casino with many elements from American culture and dances. The major difference of Miami-style from other North American styles is the "Atras" or "Diagonal", back breaking steps performed backwards diagonally instead of moving forwards and backwards as seen in the New York style.

Dancers do not shift their body weight greatly as seen in other styles. Instead, dancers keep their upper body still, poised and relaxed while the feet execute endless intricacies. The dancer breaks mostly On1. A major difference between Cali Style and Miami-style is the latter is exclusively danced on the downbeat On1 and has elements of shines and show-style added to it, following repertoires of North American styles.

Miami-style has many adherents, particularly Cuban-Americans and other Latinos based in South Florida. Pairs of dancers form a circle "Rueda" in Spanish means "Wheel" , with dance moves called out by one person.

Many of the moves involve rapidly swapping partners. It is not as formal as Rueda de Miami and consists of about 30 calls. This helps prevent dancers from hitting other couples on a crowded dance floor. The two essential elements of this dance are the forward—backward basic step and the cross-body lead. In this pattern, the leader steps forward on 1, steps to the right on while turning 90 degrees counter-clockwise facing to the left , leaving the slot open.

The follower then steps straight forward on and turns on , while the leader makes another 90 degrees counter-clockwise and slightly forward, coming back into the slot. New York style is danced in an ellipse or a "flat figure 8" on the floor, with the partners facing each other most of the time. Unlike other styles of salsa, New York style is danced on the second beat of the music "on 2" , and the follower, not the leader, steps forward on the first measure of the music.

The etiquette of New York Style is strict about remaining in the close dance space, and avoiding dancing in a sandbox area with many spins, turns and styling. There is greater emphasis on performing "shines" in which dancers separate themselves and dance solo with intricate footwork and styling for a time—a phenomenon that likely has origins from Swing and New York Tap.

Though he did not create New York style salsa, Eddie Torres is credited with popularizing it, and for having the follower step forward on the first beat of the first measure, followed by another step forward on the second beat to change direction the "break step". These two developments create a fusion of a new salsa music and dance genre, different from its Latin American and Caribbean counterparts. New York style salsa emphasizes harmony with the percussive instruments in salsa music, such as the congas, timbales, and clave, since many or all of those instruments often mark the second beat in the music.

From Wikipedia, the free encyclopedia. Redirected from Salsa LA Style. Dance form. This article is about the dance. For the condiment in Mexican cuisine, see Salsa sauce. For the music, see Salsa music. For other uses, see Salsa. This article has multiple issues. Please help improve it or discuss these issues on the talk page. Learn how and when to remove these template messages. This article's tone or style may not reflect the encyclopedic tone used on Wikipedia.

See Wikipedia's guide to writing better articles for suggestions. July Learn how and when to remove this template message. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Play media. Main article: Cuban salsa.

Main article: Rueda de Casino. Hutchinson says salsa music and dance "both originated with Cuban rhythms that were brought to New York and adopted, adapted, reformulated, and made new by many Puerto Rican's living there. In fact, most Salsa musicians from the era were and are of Puertorican descent.

Rough Guides. Retrieved Salsa Vida SF. Retrieved 27 July Index Outline. This is particularly true of African descended Cubans. Culturally, Casino is danced as an interplay between genders and feeling the music Sabor as its main ingredients. Much of the interplay of Casino style dancing is based on the broader Afro-Caribbean cultural context with emphasis on sexual interplay, teasing and everyday experience.

It is also popular in Europe and parts of Asia. Casino is danced in three points which makes up a circular motion as partners face each other in intricate patterns of arms and body movement. This is distinctive from the North American Salsa styles which is danced in a slot two points and linear positions as taught by the North American and European dance studios. Casino has a number of basic steps. One of them known as guapea "swagger" or pausa , among other attested names, involves the leader lead performing a more or less pronounced dragging of his left foot backwards from a slightly advanced onset position.

This is in stark contrast to the most common basic Salsa step, in which the lead steps forward with his left foot. Casino styling includes men being " macho " and women being femininely sexy, with major body and muscle isolations, through the influence of Rumba dancing. During the dance, dancers often break from each other during percussion solos and perform the despelote , an advanced form of styling in which the male and female partner get physically close and tease each other without touching through the gyrating of hips and shoulders while performing muscle isolations.

This is the major point of differences between Casino and Northern American forms of Salsa, which ascribe to the ballroom adage of "men are the picture frame while women are the picture. Suelto , dancing salsa without a partner, originates from stage singers and dancers, who perform dance routines during orchestra and live performances. Dancing alone or in a group usually with a male facing females on the dance floor , the movements are based on a-tiempo or contra-tiempo , with intricate footwork and lively body movements.

Other partner dancing styles include Trios or Quattros , in which a lead dances with two or more partners in intricate patterns. There is also a Trios version in which two leads share a follow. Additionally, several couples can come together to dance choreographed moves with changes of partners, led by a caller and known as "rueda de casino". This last form is popular everywhere there is Cuban music. In the United States, many dance schools only offer rueda de casino and ignore completely the dance of casino.

These schools often mistakenly idenfitify the dance as "casino rueda" or "salsa rueda", both incorrect terms. From Wikipedia, the free encyclopedia. Redirected from Cuban Casino style of salsa.

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